This first group is my most recent work, and the drawings I am most excited about. All of them follow the same basic procedure of starting with a single image, and snowballing outwards without too much forethought as to meaning until the space of the drawing is populated in an interesting way. The titles refer to themes that I saw developing in the work as it happened.
Action Drawing
2008
White Charcoal, Graphite and Ink on Paper
18" x 24"
Horror Montage
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Robot Games
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
I Want to Believe
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
The following group of drawings are more traditionally composed scenes inspired by moments in History. The Great Depression, the forming of the Spanish Armada, and the backwoods-bohemian culture of Big Sur in the 30's and 40's.
Hooverville
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Armada
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Provisions
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Phonograph
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Reading Room
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Splitwood
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Woodstove
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Finally, a handful of portraits mainly inspired by the two-tone illustrations of contemporary alternative comic book artists I have been looking at.
Bald Man
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Optimist
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
Sexy Nerd
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"
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