Showing posts with label New Work. Show all posts
Showing posts with label New Work. Show all posts

June 13, 2009

Final Art for Rocket's Red Glare

This is a recent illustration I did for my friend David Peak for the cover of his upcoming novel, Rocket's Red Glare.
David's story is set in a colony of bacteria that live on the surface of a quarter.
My preliminary thumbnails can be seen in previous posts.

June 01, 2009

Variations on a Theme





Tina's of Bushwick

My beautiful wife and I recently moved from our Bushwick digs, but not before I could make this series of acrylic texture studies based on my surroundings there. A typical studio day began with a walk down Knickerbocker avenue, and a breakfast special at Tina's. Over pancakes I would make a list of subject matter based on the things I had seen, then execute them in the studio after the return trip home.





April 24, 2009

Ghost Factory Magazine



A painting of mine is being featured as the cover art for Ghost Factory, a literary magazine edited by David Peak. For more information and to purchase a copy of this independently produced publication go to Ghost Factory magazine’s website.
This is my first cover, and the first time I have really made work as part of a collaborative process with a publisher. I want to thank David Peak for his support in giving me the opportunity to work with him.  



Sleeping Figures


I am exploring a new use of my materials with this group of figure studies.

About a year ago I began collecting scraps of paper and cardstock to use as painting surfaces. Instead of using them as I found them, I ended up stockpiling them and continuing to work on canvas until about four months ago.   At that point my library of found paper took up almost a quarter of my studio space, and as I went through it, I ended up discarding a lot of the cheaper cardboard pieces, and the flimsier papers.

The prize of the collection was a stack of wheat colored archival paper that had served as the dividers in a portfolio of Donald Judd drawings I was framing at work. The graphite/charcoal drawings I have posted here recently were done on this paper, but recently I have been looking for an approach that would create a greater range of values while still showcasing the color of the paper.










 I returned to this motif of a sleeping figure over several days as I introduced myself to these new materials. The technique of laying down a un-modulated white shape, before dropping in a layer of shadow, and finally the line work, lends itself to a study of gesture. In imagining the postures in the studio, I found it satisfying to re-experience the rhythms of oversleeping. 

April 22, 2009

Composite Drawings

These are two more in the series of composite drawings I have been working on in the last few months. I have been using a wheat colored paper with a slick surface that allows pencil lines to be erase easily. For these drawings I laid down a preliminary drawing in a soft pencil, then inked the contours with a waterproof pen, and finally toned the image with soft lead and white charcoal.



February 22, 2009

Recent Drawings

This first group is my most recent work, and the drawings I am most excited about. All of them follow the same basic procedure of starting with a single image, and snowballing outwards without too much forethought as to meaning until the space of the drawing is populated in an interesting way. The titles refer to themes that I saw developing in the work as it happened.


Action Drawing
2008
White Charcoal, Graphite and Ink on Paper
18" x 24"

Horror Montage
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Robot Games
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

I Want to Believe
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

The following group of drawings are more traditionally composed scenes inspired by moments in History. The Great Depression, the forming of the Spanish Armada, and the backwoods-bohemian culture of Big Sur in the 30's and 40's.


Hooverville
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Armada
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Provisions
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Phonograph
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Reading Room
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Splitwood
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Woodstove
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Finally, a handful of portraits mainly inspired by the two-tone illustrations of contemporary alternative comic book artists I have been looking at.


Bald Man
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Optimist
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

Sexy Nerd
2008
White Charcoal, Graphite and Ink on Paper
6" x 9 1/2"

February 07, 2009

Macgyver Portraits




My wife and I got into watching Macgyver again when we found out they had the whole series at the broadcaster's website. We watched about 4 seasons of it in a month. I've been breaking in some new materials, and I thought I would take the opportunity to polish up my figure drawing chops, and pay tribute to the master physicist/hostage negotiator/pilot/almost-pro-hockey-player/political-activist that I loved so much as a kid. Each of these was started from memory (which accounts for the pretty iffy likenesses) and then finished with a photo reference to get some more detailed shading information.

January 22, 2009

New Work at Park Life in San Francisco


This friday, January the 23rd, my work will be featured in a group show at Park Life in San Francisco. My friend Kyle Mock is curating the show which will include work from many of our fellow CCAC Alums, including: Bryson Gill, Casey Watson, Isaac Lin, Jay Nelson, Peter Scherrer and Rachel Kaye. Go to www.parklifestore.com for more information.

November 12, 2008

Bushwick Field Journal


5:00 AM

Knickerbocker and Suydam

For a few hours before dawn, the streets are clean and quiet. The city’s sanitation workers have made their rounds, and their work waits to be tarnished by the first wave of commuters. Occasionally, the low rumble of a bus engine disrupts the calm.


6:00 AM

247 Suydam

The sky glows in the moments before sunrise. A car backfires at the curb then sits rumbling in a cloud of its own exhaust. Over the roofs of apartment buidlings the solitary cry of a rooster can be heard.


11:00 AM

Maria Hernandez Park

An hour before midday, a street vendor emerges to prepare his offerings. As he waits for the lunch rush he makes a thorough inventory of his stock.


12:00 Noon

Wyckoff and Starr

With the morning rush over, a small café resumes its role as clubhouse and library for a group of slow drinking regulars. The arrhythmic chatter of a keyboard and a barista’s demo tape playing over the café speakers challenge the rapt concentration of its scholarly denizens.


1:00 PM

214 Starr Street

A group of middle-aged men take turns sliding beneath the body of a 1983 Ford Econoline Van. A few more vehicles straddle the curb awaiting inspection. A group of pedestrians slow as the approach the obstruction then cross the street before continuing their conversation.


3:00 PM

Wilson and Dekalb

The gilt lettering in the window advertises a host of publication services, but the general appearance of the space within is not that of a thriving business. Drifts of yellowing paper litter every imaginable surface. After repeated observation it is not clear whether the storefront has been abandoned or is merely under the direction of an unorthodox businessman.


4:00 PM

150 Starr Street

A pair of young men catch their breath after a pickup game. It is understood to passers by that their domain extends to the curb. As the evening wears on, uninitiated pedestrians attempting to traverse Starr Street may find themselves intruding on a sprawling, open-air living room.


5:00 PM

Myrtle and Broadway

In the shadow of the JMZ a young man enjoys an early dinner. As he waits for dessert he reads the account of a doomed polar expedition and savors his decaffeinated coffee.


7:00 PM

Starr and Knickerbocker

With a light rain falling outside, a few customers take the opportunity to make a full inventory of the video store’s selection. Each box offers a glimpse of the possible direction their evening might take.


8:30 PM

180 Knickerbocker

In the glow of a flat screen television the owner of a new restaurant flips through the day’s paper. At the door, his nephew smokes and waits for the nights first customer.


9:20 PM

164 Starr Street

The Bushwick Bomberos, trucks 124 and 58, make their biweekly trip to Maria Hernandez Park West. Passers by stand in a rough semicircle watching the lights play against the buildings before moving on. It is a false alarm.


11:00 PM

Suydam and Irving

A solitary ice cream truck makes a last circuit of the park, drawing a small group of after dinner customers before disappearing for the night.


12:00 Midnight

Myrtle and Gates

The last Manhattan bound M train rattles over the storefronts and past second story windows on its way westward. The sound of glass breaking, and the barking of a dog disrupt the silence that follows. Somewhere nearby a car alarm begins its vigilant refrain.


1:00 AM

182 Knickerbocker

In the glow of a television screen, the proprietor of Luxury Limo waits for the bars to close. A thermos of coffee shares desk space with an old rotary telephone.


2:00 AM

247 Suydam Street

By the light of a desk lamp a young man works on a small drawing. In the next room his wife makes revisions on her laptop. At the corner a few drunken voices compete with one another to be heard.